by ChromaticChaosPony » 13 Jul 2012 20:37
I think that the lyrics should be a collaboration effort. George and I can scream, growl, roar, squeal, and make various other guttural vocals. I'll leave the real singing to whoever can do it good.
As for any breakdown guitar riffs, I'm hoping I can put some pinch harmonics in there. Assuming I can even get them when recording from direct input... All breakdown riffs need odd time signatures. Like 7/4.
I guess normal riffs/thrashy riffs can be in 6/8. For some thrashy djent/deathcore riffs. Kinda like Unleash the Pwnies by Bulb or the thrashy riff from Digital Veil by The Human Abstract. Fast paced, diminished, chromatic notes, strange time signature for the tempo.
Since I usually do all of this weird stuff, I'll be the rhythm guitarist. Kyoga can have the leads. Lucky for me, I get to take charge of every musical abomination.
Also, how about having one of those crazy Dream Theater style prog metal solos? Shredding on every instrument, odd time, genre changes, etc. I was thinking of having a part in the solo where we shred the main melody of Cupcakes (song), swing jazz groove on Smile Smile Smile, piano improv solo on Becoming Popular, and build back into the song with a metal core style solo based on Beyond Her Garden. Of course, these would alternate around our base melody for the song.
About base melody, I'm not good with this. I'll need help creating one that is very emotional and sad, but very melodic. To retain the heaviness of the song, only the chorus, intro, solo, and outro would have any basis of the melody.
Guitar tuning is drop B. However, the key of the song doesn't have to be B. Just make sure that it is in a key that can utilize the low B power chord often. That way the song can have a groove.