Nine Volt wrote:"A site solely dedicated to brony music"
*facepalm*
Anonagon wrote:Pretty sure you aren't getting 9V's joke.
"A site solely dedicated to Brony music"
Aren't you on it?
What you should say is "A site dedicated to exposing Brony music to the public" or something along those lines.
Anonagon wrote:Pretty sure you aren't getting 9V's joke.
"A site solely dedicated to Brony music"
Aren't you on it?
What you should say is "A site dedicated to exposing Brony music to the public" or something along those lines.
Why Pony.fm?
Unlike popular music hosting sites like Bandcamp and SoundCloud, Pony.fm will offer unlimited bandwidth to its users and is custom-built from scratch by a brony, for bronies. The site is currently under very active development and will be a quality destination for My Little Pony: Friendship is Magic fan music once it launches.
What features will Pony.fm offer?
* FLAC and WAV uploads, which will be auto-tagged and transcoded into MP3 and other formats
* Off-site sharing through an embedded player and beautiful link "badges"
* Detailed stats that tell you where your songs are being played
* A social experience not unlike deviantART's
Makkon wrote:I don't entirely know how I'm supposed to respond to this. I guess I don't have to since it has nothing to do with me.
I'll be honest that the vibe I got from your letter is complaining because you got rejected. I know it's more than that, but it was a frequently reoccurring theme. This isn't the way to handle the situation in my opinion, but however you feel is best. That matter doesn't involve me at all.
But what baffles me is that so many bronies have this remarkable stigma that "brony-music" is somehow exclusive from the rest of the music world. That it has to be a niche (if that's even possible), and that the only exposure that these musicians can ever hope to have is through EQD. Is brony music a thing? See, where I come from we just call it music.
What distinguishes brony music from other music? PONIES. And is that factor enough to make it it's own exclusive thing?
No!
If your thing is getting more exposure for your music, try making music for a broader audience!
Try advertising or posting your music on other music sites and forums! I'm a professorial artist, and I get far more exposure posting my artwork on several sites. No sense in limiting your outlet to one site and getting upset that it's not getting you the results you want.
Better yet, make more music that isn't ponies! A great portion of my subscribers are not bronies at all, and they wouldn't be interested if "brony-music" was all I produced. (plus, I don't like making pony music).
But if you want to make music for the sake of getting more exposure, the brony music scene is not the place for you.
I would hope that the reason why people are involved in this or any music community is because they want to be around other musicians who's work they enjoy, improve their craft for the sake of improvement, and to make friends and get connected. EQD is obviously not the place for that either, it's a news blog!
I stand by what I've said so many times. MLR is a music forum first, and an MLP forum second. If I had it my way, it would be an MLP forum last. This is a community centered on music, mastery, and friends. If you have other motives, you won't find this or many other music communities very useful.
Makkon wrote:-snip-
Nine Volt wrote:I just read your letter, and yeah you're pretty much just complaining about your song getting rejected.
DusK wrote:Nine Volt wrote:I just read your letter, and yeah you're pretty much just complaining about your song getting rejected.
Then explain my posts critical of EqD's music featuring system during the periods that my music was constantly getting posted. If all you're getting from that open letter is "you're just complaining", you're missing the point.
For the past few months, I’ve been very vocal about EqD’s music featuring system on my blog, my Twitter, MLP Forums, and various other places around the Internet. Namely, I’ve been critical of how inconsistently the music has been categorized and handled.
Before I continue with those criticisms, IF I continue with these criticisms, I want to get your side of the story, so that I can ensure that I’m being as objective regarding this situation as possible. If EqD’s as compartmentalized as some claim, consider this email an alert to you of your pre-listeners’ incompetence in the off-chance that you’re genuinely unfamiliar with it.
This isn’t something new, as I learned shortly after my “Smile Song” cover got spotlighted that EqD’s pre-listener panel’s inability to judge music effectively is fairly well-known in certain circles.
To be more personal, I have noticed that not one, but TWO of my tracks were rejected outright (not even being posted to MotD). My most recent rejected track was even better than my first spotlighted track.
Around the same time as those rejections, tracks that were worse from an objective standpoint were spotlighted.
The difference in quality was often to a pretty startling degree, such as my “Becoming Popular” collab with Corralfur vs. Tortur’s “Winter Wrap Up” remix.
Not only are these rejections in the face of acceptance of the quality (or to be more specific, the lack thereof) of music that’s being featured an affront to me personally as a musician, but more alarmingly, they present the possibility that other talented musicians may have been rejected in the same way.
An active suppression of talent runs antithetical to any claim of support for the brony music community.
It’s already hard for unrecognized talent within the brony music community to get recognized, and the most-frequented site for brony music rejecting good music and spotlighting music that isn’t as good as the music being cast into the sidelines or even rejected does more harm to the brony music community than good.
The issue doesn’t stop with me. Throughout my time listening to the music being posted to EqD, both spotlighted and posted to MoTD, I have noticed that on just about any given day, there are tracks in the MotD posts that, once again speaking objectively, are better than tracks being spotlighted.
It’s for that reason that the inconsistency of your site’s music featuring system, be it a result of your pre-listeners or otherwise, is so problematic. Because your site is the “go-to” in the brony community for fans of brony music, the utmost standards for quality, consistency, and professionalism should be maintained.
1. Your pre-listener panel is genuinely incompetent to the point of absurdity. Even if we were to set music composition and production knowledge aside, we’re talking massive differences in quality that only take a functional set of ears to discern. This reflects poorly on your site, and nullifies any suggestion that your site reviews music in an objective and consistent manner.
2. My music is being rejected because of my past criticisms of EqD’s pre-listener panel. If this is the case, that’s extremely unprofessional; No site where music is claimed to be featured based on quality should accept or omit music for any reason other than quality. Musicians are not the only people who benefit from taking criticism and learning from it rather than shrugging it off and holding grudges. Your site should follow in the same.
This also isn’t sour grapes; I’ve been spotlighted on EqD three times and MotD’d twice, meaning all of my brony music up until my last two releases were posted to EqD in some fashion. This is purely an objective and straightforward criticism of your site’s ability to consistently feature music, whatever the reasons for preventing that task may be. This featuring actually backs the points I make in my criticisms as well; some of my music that EqD is rejected is better than some of what music of mine has been featured, even spotlighted.
We breakfast is e
DusK wrote:http://blog.itstartsatdusk.com/post/44918422689/an-open-letter-to-sethisto-head-of-equestria-daily
I know a few EqD pre-listeners frequent this site, so I know this could catch some flak, but I also know that some of the very musicians getting screwed by the incompetence detailed in that blog post are here as well.
It's time for brony music to go niche. A site solely dedicated to brony music is growing more necessary by the day. The head of MLP Forums, Feld0, is developing a site to that aim. I've started a blog for reviewing brony music as objectively as possible and featuring it with that same objectivity as a precursor to Pony.fm's music spotlighting system.
Talent suppression is something that should never exist in a music community. By actively engaging in it, EqD harms the very community they outwardly claim to support.
Despite the presence of some of those that are very much at the root of the problem frequenting this forum, it would be a good idea to open discussion here, especially with them. They, like Sethisto, deserve the chance to explain themselves and provide transparency to the brony music community.
Cloud wrote:I firmly believe Seth should stop taking music submissions and feature stuff that he wants to on his own accord.
It's his own blog, and I believe the OP fails to realize that. It's not a platform for his personal "growth" as a musician.
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