cyrricky wrote:If you do choose to get Massive (It's a really good synth), don't use the M-Talk wavetable.
JSynth wrote:Right now, the only plug in I have is sylenth.
Ptepix wrote:lol if you are gonna do dubstep you pretty much NEED NI Massive...but there are ways to not use massive...it is just really hard
ChocolateChicken wrote:Ptepix wrote:lol if you are gonna do dubstep you pretty much NEED NI Massive...but there are ways to not use massive...it is just really hard
WRONG
Lol, Skrillex wannabes who think they need FM8 or Massive to make distorted/modulated synths.
cyrricky wrote:Sytrus, which I think comes with FL Studio
FermataWordplA wrote:cyrricky wrote:Sytrus, which I think comes with FL Studio
Quick clarification here, Sytrus only comes if you drop an extra $100 on top of the basic FL package.
Ptepix wrote:God, everyone is flippin their tits about me saying you 'need' massive. Ok you don't NEED massive...but out of all of the synths I have heard, used, or otherwise...Massive it the MOST versatile synth. You can make anything with it....quite literally. Even drum loops if you like and have the time XD
This way you don't have to use and learn three thousand different synths. Most other NI plugins are similar too if you want to expand on their library.
But no, you don't need it. It is just an industry standard.
cplbradley wrote:use lots of vengence samples and as many presets as you can find
also remember, use lots and lots of premade loops
and use lots of limiter
also apply soundgoodizer to EVERYTHING
Nine Volt a fucking month ago jesus wrote:Actually, just download all the free massive presets you can (of course after pirating said software) and go to town with the wobbles, the modern talking, the 140 BPM, and of course don't forget to add the obligatory 'turn up the bass' sample just before the drop. For the intro you can just have a simpler version of the drums during the drop along with a simple pluck pattern or basic melody (don't forget your Sylenth presets). Be sure not to make it very complex. Dubstep fans are notoriously simple minded, and anything even moderately complex in design or construction can cause dizziness, nausea, lethargia, amnesia, and (in more severe cases) profuse vomiting, coma, death, or even [DATA EXPUNGED]. Anyway, after 16 bars of your drop make sure you add a fulltime beat. The breakdown should be exactly like the normal drop, only with just the main bass and with a halftime beat and no hats.
Nine Volt wrote:This:cplbradley wrote:use lots of vengence samples and as many presets as you can find
also remember, use lots and lots of premade loops
and use lots of limiter
also apply soundgoodizer to EVERYTHING
Plus this:Nine Volt a fucking month ago jesus wrote:Actually, just download all the free massive presets you can (of course after pirating said software) and go to town with the wobbles, the modern talking, the 140 BPM, and of course don't forget to add the obligatory 'turn up the bass' sample just before the drop. For the intro you can just have a simpler version of the drums during the drop along with a simple pluck pattern or basic melody (don't forget your Sylenth presets). Be sure not to make it very complex. Dubstep fans are notoriously simple minded, and anything even moderately complex in design or construction can cause dizziness, nausea, lethargia, amnesia, and (in more severe cases) profuse vomiting, coma, death, or even [DATA EXPUNGED]. Anyway, after 16 bars of your drop make sure you add a fulltime beat. The breakdown should be exactly like the normal drop, only with just the main bass and with a halftime beat and no hats.
Is dubstep.
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