Brony Musicians School - Request the tutorials on text!

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Brony Musicians School - Request the tutorials on text!

Postby DJColeTPony » 25 Sep 2012 19:57

Welcome to Brony Musicians School. Request the music text tutorials. and I will make a video or the step-by-step doc.
I will work on the step-by-step tutorial or the video tutorial of it!
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Re: Brony Musicians School - Request the tutorials on text!

Postby Raddons » 25 Sep 2012 20:44

Practical uses of nondominant seventh chords in a piece and how to properly execute them.
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Re: Brony Musicians School - Request the tutorials on text!

Postby Dabrenn » 26 Sep 2012 17:40

Cloud wrote:Practical uses of nondominant seventh chords in a piece and how to properly execute them.


Is that sarcasm :P?



I haven't seen a good tutorial on sampled vocal slicing and sequencing. That's something I'd like to see.
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Re: Brony Musicians School - Request the tutorials on text!

Postby ChromaticChaosPony » 26 Sep 2012 18:07

Cloud wrote:Practical uses of nondominant seventh chords in a piece and how to properly execute them.


Min7 chords. Minor 9th with a minor 7th interval. Use the minor 7th.

Or perhaps just build your own chords and add a 7th to it. Ex. 1-5-7 or 1-5-m7. No major or minor 3rd, so it is a bit tonally ambiguous. But yeah. Experiment.

As for how to properly execute them: trial and error. Or if you know music theory, you can get all complex with chord progressions. Even then, trial and error is more effective.

Practical uses? Who gives a shit? If it makes your music sound better, or composed on a mature level, then go for it. You don't really need it, but it adds depth to your composition.
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Re: Brony Musicians School - Request the tutorials on text!

Postby ChromaticChaosPony » 26 Sep 2012 18:08

Dabrenn wrote:
Cloud wrote:Practical uses of nondominant seventh chords in a piece and how to properly execute them.


Is that sarcasm :P?


Please tell me it's not. I just posted a serious answer.
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Re: Brony Musicians School - Request the tutorials on text!

Postby Raddons » 26 Sep 2012 18:21

Yeah I was being sarcastic.

Still reading your post though :lol:
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Re: Brony Musicians School - Request the tutorials on text!

Postby ChromaticChaosPony » 26 Sep 2012 18:34

Cloud wrote:Yeah I was being sarcastic.

Still reading your post though :lol:


Fak u.
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Re: Brony Musicians School - Request the tutorials on text!

Postby ChromaticChaosPony » 26 Sep 2012 18:38

I'd like to see if someone can make a tutorial on how to pick out specific production techniques from an oscilloscope reading. Particularly in dubstep or drum and bass. To me, it looks like a mess of saw waves and phasing.

How can I read it to tell approximately what waveform was used, or how much phase modulation there was, or ring modulation, or effects such as chorus or sample and hold. How can I observe filtering on an oscilloscope?
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Re: Brony Musicians School - Request the tutorials on text!

Postby bartekko » 27 Sep 2012 07:58

ChromaticChaosPony wrote:I'd like to see if someone can make a tutorial on how to pick out specific production techniques from an oscilloscope reading. Particularly in dubstep or drum and bass. To me, it looks like a mess of saw waves and phasing.

How can I read it to tell approximately what waveform was used, or how much phase modulation there was, or ring modulation, or effects such as chorus or sample and hold. How can I observe filtering on an oscilloscope?

You don't use an oscilloscope. You use your ear, experience, and some FFT software.
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Re: Brony Musicians School - Request the tutorials on text!

Postby Lavender_Harmony » 27 Sep 2012 09:55

Whats going on in this thread?
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Re: Brony Musicians School - Request the tutorials on text!

Postby Magnitude Zero » 27 Sep 2012 12:46

Dabrenn wrote:
Cloud wrote:Practical uses of nondominant seventh chords in a piece and how to properly execute them.


Is that sarcasm :P?



I haven't seen a good tutorial on sampled vocal slicing and sequencing. That's something I'd like to see.

I'd like to see one of these as well. This is something I've been playing with quite a bit for the past few months, and while I think I'm getting the hang of it, I've seen very few quality tutorials on it.
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Re: Brony Musicians School - Request the tutorials on text!

Postby Raddons » 27 Sep 2012 15:59

Lavender_Harmony wrote:Whats going on in this thread?


no one knows
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Re: Brony Musicians School - Request the tutorials on text!

Postby ChromaticChaosPony » 27 Sep 2012 16:50

bartekko wrote:
ChromaticChaosPony wrote:I'd like to see if someone can make a tutorial on how to pick out specific production techniques from an oscilloscope reading. Particularly in dubstep or drum and bass. To me, it looks like a mess of saw waves and phasing.

How can I read it to tell approximately what waveform was used, or how much phase modulation there was, or ring modulation, or effects such as chorus or sample and hold. How can I observe filtering on an oscilloscope?

You don't use an oscilloscope. You use your ear, experience, and some FFT software.


Yeah, I'm lacking a bit on the experience part.

I have Massive and some other cool external effects. I just don't know how to properly analyze sounds. Not just other people's sound design, but I have been wanting to synthesize sound effects or sounds that I have heard in real life.

I've actually been considering creating my own synth using some programming language (not sure which one is best for synth design). Probably something based around multiple comb filters and such so I can create rediculously metallic sounds and synths to suit my style. And probably wavetable synthesis, since I like it so much (lol, I'm ripping off Massive).

How would one go about programming their own synth? Which programming language is best for synth design? What should I put in it? How many oscillators can I put in it without absolutely destroying any sense of workflow? How do program a wavetable synth?
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