I Love Everything

[JackleApp]

http://soundcloud.com/jackle-app/i-love-everything

A remix made in a 4 hour blast of inspiration.
Happy Birthday, Pinkie Pie Swear <3
You were that inspiration :3

[Interrobang Pie]

I LOVE THIS
I REALLY REALLY LOVE THIS
fuck
2:30 brings a tear to my eye every single time.

[Senator Myth]

Melodyne is magical.

I asked several times in the IRC, but you didn't answer: where are the strings from?

EDIT: Of course, it goes without saying that this is orgasmically good. I wish I was you, have my children, et cetera et cetera.

[bartekko]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish
DON"T READ THIS SHIT I WRITE WHEN HALF-CONSCIOUS

um... speechless now, It's so awesome I can't believe I wrote above.
Nor How did I manage to even think about this.

Now for the real 120% conscious critic: I love the way you cut up fluttervoice, and changed it so hard , If i didn't know the original, then I'd have taken a guess on anyone apart fluttershy, It's way punchier than fluttershy's voice.

It's so otherworldy I just can't say anything else.

[Senator Myth]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

Only one solution.

DJ KEO STYLE REMIX GO

[Makkon]

Although the grainy sound is a little too much, I really REALLY like this song. Melodyne you say?
Hmm.

[Whitetail]

Y u no download link?
(I have the download anyways from toastbeard, but I know a lot of people want the download of this)

Sounds awesome, it was like I was waiting for a dubstep drop - then comes the violin solo and things get serious, "none of that childish wub stuff."

[Baschfire]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

Um....
...
...
...
Nah

[JackleApp]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

Nah.

[Aussie]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

[PinkiePieSwear]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

Hmmm.... nah.

[FoozogzPepperBrony]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

Nah

[Tarby]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

I'll be honest, I don't know what you mean by overproduced. there's like 5 tracks, and besides reverb (which goes with the minimalistic, almost soundscape-ish approach to the instrumentation of the song), there aren't that many effects on any of the tracks. You suggest taking away the reverb to make it a "Good song with ambient/chillout -ish feeling", but wouldn't taking away the reverb get rid of the ambient feeling? Because it's so minimalistic, removing the reverb would make the song really dry and really thin-sounding. Also, no offence, but I've listened to this song a few times, each time through the stock HP Laptop speakers I got with my cheep-ass computer; if the reverb isn't doing anything for these, then your speakers must be shit.

[Interrobang Pie]

I hate to not like it, but it simply didn't quite catch me, kind of too loud for me, kind of overproduced, too much reverb for my ear in some points, like 2:30. however, if removed the reverb (it's killing me and my speakers) it'd make a good song with ambient/chillout -ish feeling, let alone it not being ambient or chilloutish

[Whitetail]

Not to continue beating a dead horse... but are you listening with good speakers?
Personally I pretty much always use headphones since the speakers on my laptop aren't necessarily all that good

Sure it's a lot of reverb, but it's never to the point where it's necessarily drowning out the sound, if anything it helps fill in the voids that would be provided by the simplicity of the composition.

[Versilaryan]

WHOAH. ATMOSPHERE.

Maybe the cello/viola/whatever string instrument solo was a little too loud, 'cause it stuck out from the rest of the song a little too much, and that eargasmy goodness at 2:30 might sound cooler with weird Flutterchords. I dunno. I really liked it, though. I'm getting shivers right now, and this is going straight on my best-of-the-best pony playlist.

[Rainbow Hash]

Beautiful! Very chill, love the cut up samples in the middle. JackleApp making magic as always

[Applejinx]

D:

Quit pickin' on bartekko! He did say 'for me' and now it's like a joke to say 'nah', and he's not totally crazy, it jes doesn't stop the song from bein' good

When I turned it down reeeeeal far it sounded better to me. The things that are buggin' bartekko is partly the way the drums is compressed and the reverby stuff is compressed. The verb comes up to be louder than the voices even in the middle of voices sometimes, and the kick drum turns into a 'squerp' instead of a thud or is designed to do that.

And that is ART, and I'm not saying I don't like it, I think I understand. It's like asphyxiating' in cotton-candy or being tiny and stuffed in Pinkie's fluffed out mane. You can't even see the world, just bright pink half an inch from your wide-starin' eyeballs until your brain explodes XD

Just enough with the 'nah' please? It's unkind. I love many things very different from this, even though I think I can understand its magic It's okay if not EVERYPONY gits it.

And if you leave aside the fact that it's art and s'posed to be that way on purpose, the idea that the reverb jumps up with overcompression and fights with other mix elements? Uh, YEAH ;P

[Applejinx]

I'll be honest, I don't know what you mean by overproduced. there's like 5 tracks, and besides reverb (which goes with the minimalistic, almost soundscape-ish approach to the instrumentation of the song), there aren't that many effects on any of the tracks.

I understood him, let me help. Anytime compression does anything funny and unnatural, that's what gives people the cue to think 'overproduced', and I'm sure that's what it was, it's obvious.

The guitars have compression, the drums have compression, the reverb has its own compression, and then there's compression on the mix bus too. What happens with that is, if you git somethin playin by itself, it has that fluid fillin-out quality like on the guitar parts, but if you have lots of things playin' they start to fight with each other. This is what most of you are liking and bartekko din't.

What it does is, background parts like the verb or the synth pads that aren't loud by themselves, git stomped down by more staccato parts like drums, and then when the buss comp hits, they pop up VIOLENTLY and this dynamic popping is what tells the ear 'produced'. And, compression multiplies, meanin' the ratios multiply. So if you got a compressor on somethin' and then another on the mix buss it gits WAY MORE COMPRESSED all together.

If it wasn't for the very fast release times bein' used bartekko would never have said that, but then the rest of you wouldn'ta clopped so hard, so he's outvoted XD but he is absolutely right that it's a 'produced' sound, because it's all about the compression and what it does. Produced don't mean other effects, necessarily, it's all about the gain structure and especially what compression does to note envelopes.

o_O

Sorry, din't mean to lecture- I need to git back to work... helpful to the point of bein' an annoyin' confounded nuisance, is Applejinx, I fear ;P

[Interrobang Pie]

Just enough with the 'nah' please?

Nah.

[Applejinx]

*facehoof* XD

[Baschfire]

I'll be honest, I don't know what you mean by overproduced. there's like 5 tracks, and besides reverb (which goes with the minimalistic, almost soundscape-ish approach to the instrumentation of the song), there aren't that many effects on any of the tracks.

I understood him, let me help. Anytime compression does anything funny and unnatural, that's what gives people the cue to think 'overproduced', and I'm sure that's what it was, it's obvious.

The guitars have compression, the drums have compression, the reverb has its own compression, and then there's compression on the mix bus too. What happens with that is, if you git somethin playin by itself, it has that fluid fillin-out quality like on the guitar parts, but if you have lots of things playin' they start to fight with each other. This is what most of you are liking and bartekko din't.

What it does is, background parts like the verb or the synth pads that aren't loud by themselves, git stomped down by more staccato parts like drums, and then when the buss comp hits, they pop up VIOLENTLY and this dynamic popping is what tells the ear 'produced'. And, compression multiplies, meanin' the ratios multiply. So if you got a compressor on somethin' and then another on the mix buss it gits WAY MORE COMPRESSED all together.

If it wasn't for the very fast release times bein' used bartekko would never have said that, but then the rest of you wouldn'ta clopped so hard, so he's outvoted XD but he is absolutely right that it's a 'produced' sound, because it's all about the compression and what it does. Produced don't mean other effects, necessarily, it's all about the gain structure and especially what compression does to note envelopes.

o_O

Sorry, din't mean to lecture- I need to git back to work... helpful to the point of bein' an annoyin' confounded nuisance, is Applejinx, I fear ;P

Firstly. Drums. Drums are technically supposed to pierce through any work. That's the point. The nature of a drum is supposed to just go right through. And as with the bass drum, it IS a crisp sound. Call me an audiophile, but if someone's having issues with that, then they really need some better speakers.

Also, Nah.

[Applejinx]

Aw, nuts- serves me right for jumpin' in, didn't mean to OFFEND or nothin, and now it's all confusin' D:

I never said drums weren't pokey-out-things! I'm just sayin' they hit the buss compression in a certain way ;P

[Dr_Dissonance]

Call me an audiophile

You're an audiophile!

Aw, nuts- serves me right for jumpin' in, didn't mean to OFFEND or nothin, and now it's all confusin' D:

I never said drums weren't pokey-out-things! I'm just sayin' they hit the buss compression in a certain way ;P

I can see why everyone got a tad griefed by Bartekko's comment. The piece is pretty amazing and very well done. So a negative comment, that after reading a few times, doesn't really seem to help, would upset a few people. Especially considering the word 'overproduced' is ambiguous...

That being said, I give you kudos for standing up for someone Applejinx! Just be careful with your wording, as you can see what happens...

[Applejinx]

I'll try harder, I promise XD yikes! And yes overproduced sounds like it should mean 'you have no taste and this is bad', which is why I wanted to explain that no, the REASON this is good is some creative decisions about compression that do crazy neat things which some people will read as 'produced' o_O

I still think it sounds like being stuck in Pinkie Pie's mane XD

You could do the same thing without triggerin' people like bartekko by using parallel compression