Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
simonli2575 wrote:What about hardware synths (I should have specified that)?
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
ΛCSII wrote:So now there's a big red line through the Bass Station 2 because it doesn't have CV out
ChocolateChicken wrote:So I've been using Sylenth a lot more after HMage pointed out some interesting facts about the synth and I definitely see more regular uses for it, including supersaws, pads, plucks, and some leads. I think Sylenth is especially superior for anything that requires multiple voices, seeing as each oscillator has its own voicing and the synth itself is very cpu friendly. However, I still believe Massive or FM8 is the way to go for any unconventional or particularly complex sounds, such as wobbles, screaming basses, growls, atmospheric effects, and leads in many cases; sometimes plain filters and ordinary waveforms like saws and squares just don't cut it.
Freewave wrote:being too critical can make you too critical
GCKrastin wrote:. . .
Literally the only thing it can't do is FM, but for that we have Sytrus/FM8.
Freewave wrote:being too critical can make you too critical
Placing my tongue on the GR meter to taste the gain reduction I some how improved my skills.
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