by Circuitfry » 11 Jun 2013 22:00
Yo I'm here and I'm gonna clear shit up.
Okay Y'all remember After Party? I remember that, but vaguely, I think I gave the okay to have it go ahead with some reluctance, didn't seem fair to give those entries extra time. I certainly didn't realize Aviators was going to put the After Party album on Bandcamp but he did, and he used Omnipony's non-edited version of Desert Walker as the very first song, lemme just say I was pretty pissed about that, ok? Because not only was it a badly mastered song but he continuously rejected constructive criticism and threw his popularity around about it. The dude was being immature and didn't deserve to be on the bandcamp, and honestly now I'm afraid that he never learned his lesson.
He almost did, for a minute, telling his fans outright that it was a bad master, a perfect 180 in the right direction until OOPS thanks Aviators for backpedalling the entire point, I mean everything about that decision was publicly explained and he never fixed it so you basically slapped the song on there without really thinking about the implications of it, so yeah thanks Aviators, that's really fair to everyone else!
Naw guys, I'm not doing it again like that, it's seriously not fair to the other musicians who DID make an accepted song in time. Aoshi kinda fudged the VIP-of-your-own-song bit but honestly I'm alright with that, it's at least partially a new song at that point. Good call, Aoshi, like really, I'm for it, too, sure!
So yeah indeed this album is a more aggressive reiteration of Four's Fall Down's controversial claim. The album is a statement that good music doesn't necessarily package itself in professional grade mixing, that it's about making good music however you approach it. Four's Fall Down is an accidental parallel to the Find a Pet episode of ponies, where Rainbow Dash walks in wanting the Falcons of the pets, but ends up choosing the Tanks while she's at it. Rainbow & Rooted is rooted in the principles of music, where songs with certain astounding qualities are selected and mixing is not made a mandatory requirement for entry. That way, we have an album full of rich variety and interesting new tastes to broaden listeners to.
The responses were mixed as a result of the rich variety, and a lot of people will argue that Four's Fall Down is in fact superior to Balloon Party. A poisonous attitude has permeated the music scene, especially in the EDM community, that good mixing is the most vital aspect of music. We know this is clearly not true, as you've probably heard in 70s and 60s music having unprofessional self-produced mixdowns but rich and powerful content. The albums are meant to be personifications of the ponies, so Rainbow Dash would likely have this perspective of music, she'd be loyal to the nature of music. Pinkie Pie on the other hand would run with the popular opinion that club bangers and fun/cool/going-hard near-professional sounding tracks are the best way to go. Likewise, it will change again, next time, to being Twilight's textbook-intensive opinion.
The "After Party" album is a last chance to prove yourself by making something powerful and make a statement that rebels against the elitist mentality in a mixing-centric community. Mixing is important, but it's not everything. Some songs sound best with their own mixdowns. That's why Rainbow & Rooted has such variety in its RMSes and EQ settings etc etc. "One Last Shot" is an attitude-saturated attempt to bash the mentality with rebellion. It is NOT a Rainbow & Vomit clone. R&V is about being offensive and loud, One Last Shot is making a statement about the integrity of music.
Make a new song or make a new version of your submission to have tons of attitude. Mix it how YOU like it.
Viricide wrote:Thanks Obama. Or should I say Cirbama.
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