Good point. I guess my thought was "Ooh, those strings sound good like that. Let's have them keep doing that for THE WHOLE PIECE!" Also, I wanted the melody to go to the woodwinds at the beginning and the brass for the rest of the piece, and I was afraid to let the strings stop what they were doing or take the melody. But listening to it again, I can see that the strings do the same thing for too long. I probably should have taken more risks with them.What I heard is that the strings are the driving force behind the piece, but don't give up that role ever.
I think I must have completely forgotten counterpoint after my one semester of music theory. I should go back and see if I can work that into the piece.Consider counterpoint. There were some points where I thought it was going to come, but never did...especially in the 'danger' section.
You would say that, wouldn't you?And it sounds too happy for danger when it does arrive, maybe anger it up a bit!
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