Andy Feelin wrote:I think General Mumble needs different thing.
If I understand correct, the issue is as follows: the entire song is written in one key, let's say, D minor, and he wants to make the final chorus in different key, for example D# minor.
So if the chord progression in chorus is initially, for example, Dm F Gm A; final chorus will have D#m F# G#m A# if we shift half tone up.
This is how I understand "key change for the final chorus".
Well yes, you're right, but the problem was that it sounded weird. Whether that's because of the new key or because of his method is something we should ask him...
........................
...in fact, he hasn't even told us what key he went to!
But my point with the fourth or fifth change is what Bagpipe said:
Bagpipe Brony wrote:The slicker way to change keys is in fourths or fifths. They sound more natural. Unless of course some of your sounds can't go that high w/o sounding horrible.
Fourth and fifth key changes flow much better, so using a semitone (half step) change could possibly be a reason for the:
General Mumble wrote:it still sounds all too sudden.
TubeyouYou are the hero My Little Remix deserves, not the one it needs.
So we’ll hunt you. Because you can take it. Because you’re not our hero.
You’re a silent guardian of music, a watchful protector of songs.
A doctor of dissonance.
-Phillypu