Lavender_Harmony wrote:https://dl.dropboxusercontent.com/u/543014/Fart%20Noises.mp3
Majora MIM wrote:Pffff... You guyz are noobz.
I used to use Massive, but now I'm all about FM8.
XXDarkShadow79XX wrote:Don't forget your phase modulation and your sine/parabolic shapers. Both can give you disgustingly beautiful results.
https://dl.dropboxusercontent.com/s/1kk ... 0Thing.wav
wat :3ChocolateChicken wrote:All he needs to do is not apply dimension expander or any sort of stereo widening and then they'd sound much better and he'd be just fine.
LFP wrote:wat :3ChocolateChicken wrote:All he needs to do is not apply dimension expander or any sort of stereo widening and then they'd sound much better and he'd be just fine.
ChocolateChicken wrote:LFP wrote:wat :3ChocolateChicken wrote:All he needs to do is not apply dimension expander or any sort of stereo widening and then they'd sound much better and he'd be just fine.
Omni is known to utilize the poor practice of putting dimension expander on his basses, which is a really bad thing to apply to your bass.
Motivfs wrote:I'm amazed this thread is still here.
ChocolateChicken wrote:It's worth discussing the do's and dont's of music production as well as how to's. I think a lot of producers can learn a lot by listening to other productions and taking note of what's good and what's bad. In Omnipony's case, I think his basses would be great if it weren't for the stereo spreading he puts on them.
Stereo spread on basses might sound neat at first, but you lose a lot of energy and weight from your bass when doing so, not to mention that your bass becomes incompatible for mono, which has its own additional problems. Keep your basses mono, fellas.
If you're using sampled bass libraries and you notice that it isn't 100% mono compatible, make sure you put a MONO gain plugin on the effects chain to sum the signal to a mono signal. Logic Pro has a plugin that does this called the Gain plugin.
Majora MIM wrote:The point is to keep the basses centered but you can spread the mids and highs like crazy to make ridiculously wide bass synths. Frequency splits gentlemen, frequency splits all the time.
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