Stu Beef wrote:Diggin it. I especially like the harmonies in the hook; nice tone on that octave.
In the verses you seem to hold back on some consonants, namely b and p (bronies; ponies). You are communicating the unaffected style pretty well, but occasionally it feels a tad more uncomfortable. I'd say just work on your diction more until you can achieve as neutral/clear an accent as possible.
ps. what kinda mic are you using for those vocals? I'm a bit iffy on the sound, but I understand we've all got our limitations.
I'm using the blue snowball, and my radio sound EQ setting on the verses. It's ok, I guess, but I've heard a mic like that is better for instruments, and it seems to pick up a lot of noise in the room. I used an eq that cuts off the first vocal harmonic to differentiate it better from the bass. I've heard this in many other songs (sometimes even performed live), and I feel like it eliminates unnecessary clutter in the bass. I would have cut it even more in the high end as well to get more of the radio effect, but then the "s" sounds become very unclear. Also, the P's just downright sounded terrible and poppy if I didn't get rid of lower frequencies. Also, with my voice on any harmonies, I just HAVE to put a cut at 3,000 Hz or else the vocal jumps out a lot (especially with "eh" sounds). There's simply too much energy there, and I can't control it.
Oh, and the mic will clip like a mother if I'm closer than 18 inches from it, and then the sound is suddenly quiet any farther. It has proved to be a problem, since sitting anywhere else will actually change the tone of my recorded voice, and trying to correct that is hell.