by Habanc » 03 Sep 2012 12:51
I agree with Mag Zero that the whoop stands out too much. In itself it sounds dissonant from the rest of the song. The bass is filthy (in a good way), and the percussion compliments it nicely, but the whoop takes away from all that. Perhaps a less intrusive, more subtle treble synth would work. The whoop is a pitch change in a very sensitive area in our hearing, so a synth with no pitch change may be better as it won't sound so dissonant.
Also, why are the breakdowns so short? If you're annoyed with poor transitions, sometimes it's better to give your breakdown/buildup more time so your listeners get a feel that the track is swelling/growing.
I really just think it's needs a bit of tweaking and it'll be fine. The bass gives off a great feel and although the drum pattern sounds funky at the start, it fits nicely once the bass comes in. Those are some great foundations to build off of and compliment. It will need some filling-in around the hi-mids area; I liked the pads you used, so perhaps use it more or attempt to find a different one to use during the bass heavy parts (Because it feels like this song has two different emotions to it, maybe you could play off that?).
Just my two cents, take it with as much salt as you like. Good luck! C:
DAW: FL 10 | Main VSTs: Zebra2, Massive, Nexus | Genres: Progressive House & Electro House