Freewave wrote:being too critical can make you too critical
Symphon wrote:Record Smash wrote:Well, as stated before I am really new to this music production. Thanks for the advice.
Aye, we were all at that stage before, dude. Don't get down. Focus on working on your skills and you'll get great in no time.
Edit:
https://soundcloud.com/nulrei/sour-apples
Here's my entry. Go ahead and tear it a new one if you'd like. c:
Edit 2: If you're wondering about anything specific on my feedback, just send me a message and I'll give you an explanation, advice, tips, or whatever you need.
ExoBassTix wrote:So, posting tracks in thread is enough? Or do we need to send PMs or add people on Skype?
Thanks a lot for the feedback! I can make some changes now for thisSymphon wrote:*Stuff*
@R-Y-S-E: That laser near the beginning threw me off. Maybe choose a different sample. Near the beginning, you definitely know how to keep it interesting, despite not keeping anything there for long. Of course, that's kind of your problem. The track doesn't change too much throughout its stay. It keeps the same energy level, mainly the same instruments, and sometimes the same melody and tune. You need to branch out when it comes to synths, as utilizing more synths effectively could keep the attention of the listener without as many rises, crashes, and sweeps.
*Stuff*
Belgerum wrote:Well,I'm not exactly certain if this will work out right, but I never really got much feedback on my mastering of my track and such, so I might as well post this here.
Also, just for clarification, is this album ONLY for tracks that were rejected from R&R, or could I potentially try to whip up something new in 2 weeks?
Freewave wrote:being too critical can make you too critical
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