MixolydianPony wrote:So, included with your type index, it would be cool if you could answer the following questions as well:
1) Are you heavily into music theory, or does it just get in your way?
2) Do you write music because you like the way it sounds, or because it expresses something?
3) Are you a fan of labeling genres, or is everything just "music" to you?
4) Does your workflow consist of working on one song at a time until it's finished, or do you have a bunch of WIP files floating around?
5) Do you have an intense drive to be good at music, or do you just do it for fun?
6) If you play an instrument, are you meticulous about perfecting your technique, or are you more concerned with what you play, rather than how?
7) How critical are you of your own work? Do you tear your own compositions to pieces with self criticism, or do you tend to feel good about getting something done, even if it's not the best?
You've caught me at a good (read: bored) time, so why the hell not ^_^
I tend to get a different profile every time I take this damn test, but this time I got
INTJ.
1. I wasn't into theory at first, but I've since realized its importance so fully that I plan to major in music theory and composition in college. It's better to me to know what boundaries I'm working within as opposed to throwing noise to the wall to see what sticks.
2. The two tend to go together for me. Since I usually go for a more atmospheric sound, I spend a lot of time making sure that the atmosphere of any given fragment of a track is coherent, and the product of this tends to be an atmosphere that pretty faithfully expresses me as a person, to whatever extent I understand that concept.
3. Music is music, but for the purposes of keeping my iTunes library full of only the best of as many genres as possible, I label music with fairly vague genre designations; for example, I have no dubstep, drum and bass, or electro house, only bass music.
4. I have a ton of WIPs floating around in my project folder at any given time, but I tend to get the bulk of the work for a track done close together without leaving space open to work on anything else. But in terms of ideas, I'm all over the place.
5. I started music because I thought it would be fun - and it still is - but what drives me these days is to understand how to make better songs and to actively apply this knowledge at my earliest opportunity. Besides, it gets boring doing the same thing over and over, so if I weren't always trying to improve, I'd have quit long ago.
6. Since I'm only at the earliest stages of learning an instrument, my concern is really about what I can play.
7. It always feels good to finish something, and that high tends to carry me nicely up to the point where I can get criticism from others - at this point, I fall back to earth and tear my work to shreds. I firmly believe that my music is horrible, but it's hard to keep that in mind when the ideas are flowing.