Um... as much as I'd like to see this become the conventional wisdom...

The deal with NS10s is, partly because they're sealed boxes and partly because of the driver and crossover choices, the things have super super low group delay and incredibly good time domain performance. They're unusual in this way- the best way I can describe this type of behavior (not unlike electrostatic speakers) is that when you stop driving sound into them, the sound stops REALLY fast. The overall tone is obnoxious but you can really hear into stuff and it's partly due to where it's crossed over, partly due to things like how that white cone is folded and glued paper rather than formed already in the cone shape- the seam affects how the cone vibrations work.
What you lack is any hint as to what the real subs are doing, which is a big concern with a lot of modern electronic genres, yeah- but then it's also a sealed box speaker with slower roll-off, and with the low group delay you're hearing the midbass with a lot of immediacy, it's 'quick' and shows you what's really there. So in some ways they really do have the fidelity required to make modern electronic music, can't be outdated, and you can work around the lack of subs (I already run a sub: that'd work, though it'd be so much 'slower' than the NS10s it'd be strictly about understanding the correct relative level: at no point would the subs and the rest of the sound seem like the same mix, but there'd be subs)
Still want some, got to admit

Oh, also since I was reading up on them- the reason the tweeters blow so easy is they're crossed over super low (good for intensity of sound, bad for power handling) and the woofer voice coil is apparently Kapton (good for rigidity, lousy for heat dissipation). So playing them super quiet like Chris Lord-Alge is probably the smartest thing (and have an amp way more powerful than whatever volume level you do use)