by Lavender_Harmony » 29 Aug 2012 11:28
Vocals.. Heh, it's a tricky one and takes a lot of practice. There are no real clear-cut rules, as ever voice is different, but there are things you can do to make sure your vocals sit in the mix rather than on top of it.
Firstly, EQ. This should always be your first stop. You need to open a spectrum analyser and take note of a few things. Where is the main tone of the voice located, the body of the singing? It's usually somewhere between 400-700Hz, but varies. Then look for where the S's and T's are, usually a couple of peaks around 1000Hz and maybe 3000Hz ish.
Your first step is cutting out everything below 150Hz, roughly. You want to clean up the low end entirely. I've gone as far as 500Hz in some mixes, just to make sure the vocals don't mud up the low end of my mix, but as long as you're clear of the kick and subs then you're usually okay.
Next, you want to go through your track, using an EQ, and cut space for the vocals. Look at how loud they are, volume wise, and cut an appropriate value for them. Think of it like slotting something into a gap, if you cut the space in the mix for where the main tone and S's and T's are, it'll sit better. Your cut for the body of the vocal should be quite shallow but wide, and the sibilance peaks should be narrow, small notches, since those are usually on very specific frequencies.
Once you do this, you'll like find yourself able to turn the vocals down, and now is where you can get more creative. Compression is always a good place to start with vocals in electronic music–even if they're pre-compressed, you can still use it effectively to make the vocal sit better
You can try doubling up the vocals, offsetting them and panning each left/right to get a super wide effect, chorus can help this along too.
Reverb for vocals should always be on a Bus, as should delay. You may want to ride the automation for these effects, turning up the reverb at the end of a phrase and down just as the new one starts, so the end of each rings out and doesn't become muddy. This dry/wet switching can be very, very effective for controlling the size of the space you're creating for the vocals, almost as if it's a vacuum.
Be creative! Make sure it sits in the mix well, EQ out any piercing high frequencies and don't overdo it with effects.
As for the effect used in this video, it sounds like pitch modulation, artificially pitch-bending the vocals, most likely in Melodyne as this can retain the formant of the voice, preventing the 'chipmunk effect'. Chopping up vocal samples is definitely not my forté, but I've been told it's all about starting with the vocals, creating a melody from them to start with.