by Navron » 29 Aug 2012 21:07
I struggled for such a long time trying to create a heavy drop, and constantly wondered why it lacked the power and punch. It really is in the subbass, believe it or not.
What Lavender said is spot on, and to add on to it, realize that your sub doesn't necessarily "have" to follow the same notes as your modulated basses. You can create some interesting harmonies and dramatic changes with your subbass having a life of itself, although it is important to closely match the modulation of your basses.
Speaking of which, one thing that helped me with modulating subbass: Don't over-complicate it. Subbass is about the feeling, vs the tone. If you try to create crazy fast melodies and/or chords in the subbass freqs, you're just going to get a mess. Think of subbass as being a bar bouncer. They'll pack a whole lotta punch, but don't expect them to run around and actually exert themselves.
*No offense intended to any people who may have been bar bouncers.*
DAW: Cubase 6.5, Ableton Live 8
Preferred Genre: Industrial/Trance
Hardware: Schecter Diamond Series Bass, Yamaha Acoustic Guitar, BP355 Effects Pedal, Keystudio 49K Keyboard, Akai APC40, Korg nanoKEY2 25k Keyboard