by Captain Ironhelm » 31 Jul 2012 14:27
for vocals, FL as you say you use, has a vocoder, which can both alter the way the timbre of the voice sounds, and change the pitch. I have no idea how to run the vocoder yet. For echo effects, just slap on a delay. The trick to messing up vocals is testing around. Try slapping on different effects and play around with it.
A good place to start with synthesizers is with the 3osc (triple oscillator) that comes with FL. Learn how that bad boy works, until you are begging for more, and that's when you might consider getting another synth. Massive is a powerful synth that basically uses 3 oscillators (4 including the modulation oscillator), and then a truckloadofalot of options to tweak your sound. Reading the Massive manual is a great place to learn how it works. (It should have come with a manual, but if yar har fiddle dee dee, a search for the manual should bring up a download for it.) If you want a free synth, synth1 is a good starting point.
You will note there are different waveforms, like sine, sawtooth, square, triangle, and noise. Noise is basically white noise and sounds like an old analogue TV with no signal. The other wave forms are named according to how the wave forms actually look.
Sine waves sound quite mellow, kind of like the solid sound you'd imagine coming out of a subwoofer, except at any pitch. Sine waves are decent at making sounds more mellow, adding a bass element, and organ sounds.
Square waves sound quite a bit like those old DOS games like Pacman.
Triangles are kind of like square waves, except more mellow, and they can add in a sparkling effect to your sound.
Sawtooth is your harsh synth sound, and is downright awesome for leads.
Mix these different sounds together at different pitches (or same pitch) to start of making your unique synth sound. Filters after that can really shape your sound as well. LFOs (low frequency oscillators) are basically a way of automation, except the shape of a sound waves is what modulates the sound, and they can be set on different parameters such as the low pass filter, pitch (vibrato effect, yay), sound, and more. Low pass filers allow low frequencies to go through and shave off the top frequencies, and visa versa with the high pass filter. Band pass has both a higher range and lower range that it cuts off, and allows basically a block in the middle of the frequency to go through.
Effects also can shape your sound, such as adding on flangers, warbles, burps, hiccups, reverb, chorus, and an infinite amount of other effects.
A very small amount of reverb on your synth can make it sound more natural to the human ear, as we are used to real instruments and other real-world sounds having reverb, the sound waves bouncing off surfaces and reflected back at us. Adding on a chorus effect can help broaden the sound of the synth.
The trick to synthesis is experimentation.
Sorry about the last couple paragraphs, absolutely no help to a newbie, and experienced already know it all. Perhaps I'll write up a bit more on it for newbies when I have some more free time, since it seems such a guide would be useful.
