colortwelve wrote:Alright, idea for 'some type of genre that doesn't yet exist or cannot be easily classified' - an atmospheric section with no drums and maybe some guitar pickslides in tandem with distorted whispers and growls for vocals, which then falls off and builds up slowly into a very slow-paced hybrid of djent and dubstep, with pained screams and possibly operatic singing for vocals, then from there a prog-style buildup that switches tempo and time signature multiple times before exploding into an instrumental solo section that is abruptly cut off, and the song ends in some atmospheric noise again, maybe a heart whose beating slows, or just some noise pads or something.
Wow, that's convoluted. Seriously, the fuck did I just type?
ChromaticChaosPony wrote:colortwelve wrote:Alright, idea for 'some type of genre that doesn't yet exist or cannot be easily classified' - an atmospheric section with no drums and maybe some guitar pickslides in tandem with distorted whispers and growls for vocals, which then falls off and builds up slowly into a very slow-paced hybrid of djent and dubstep, with pained screams and possibly operatic singing for vocals, then from there a prog-style buildup that switches tempo and time signature multiple times before exploding into an instrumental solo section that is abruptly cut off, and the song ends in some atmospheric noise again, maybe a heart whose beating slows, or just some noise pads or something.
Wow, that's convoluted. Seriously, the fuck did I just type?
That sounds brilliant! Making music super atmospheric is a good way to avoid genre classification, assuming it doesn't get classified as atmospheric (so not too much). For the prog style buildup, I was thinking of getting a clean bass-like tone on my 8 string. The only other guitarist who does that is Tosin Abasi. I would consider using some kind of a diminished tapping pattern on the clean channel. Near the end, I would add distortion and volume on a second guitar (via double tracking). Then it would cut into Misha Mansoor style djent with dubstep wubs instead of a normal bassline.
I have absolutely no idea how a wub solo would sound good. However, I do like drop oriented dubstep, so if you could make a very technical bass drop section that Kyoga and I can play along to, that would be cool. The drop would be the obvious feature there.
I would like to hear a very melodic chorus (Periphery style), but make the song structure awkward so that the chorus doesn't appear until two verses and a bass drop have gone by.
I think that we could make this a long one (at least 8 minute, hopefully 15). I also think that the song should follow the storyline and have creepy, but soft interludes at every point when Rainbow Dash passes out (I think she blacks out twice during the process). Interludes would probably consist of clean channel guitar (with delay and reverb), liquid drum and bass style drum rhythm, and possibly a guitar with very light distortion soloing slowly.
During the "harvest" section, I had some ideas, but you would have to agree on one. First idea: downtempo death metal. Second idea: Grindcore/Goregrind/Extreme Metal. Third idea: Djent style groove breakdown with a tense/nervous feel to it in an odd time signature. Fourth idea: Melodic yet ominous (and tension building) chorus-like thing where some vocals are sung melodically over screaming vocals in the background. Fifth idea: All out shitfest!!!
The song would have at least two guitar solos and one all out progressive solo with every instrument/weird sound effect/synth being used.
Overall, this seems like an experimental genre. Pretty cool. I'll add all of this to the document.
BinaryBludgeon wrote:I'd love to do something for track 7. Just a suggestion: Maybe it should be split up into sections, sorta like the 2112 album, by Rush.
I know there are parts to the 20-40 minute track idea, but I'm not sure if they're going to be in one full song, or individual files.
BinaryBludgeon wrote:I can do lyrics, sure. (I'm also good at chord progressions if you want)
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